1st August 2017
Martin Williams
MA Visual Arts: Designer Maker
Review of 1st Year Projects
Project 1: ‘Tactiforms’; September-December 2016
3 keywords:
- Texture
- Amorphous
- Handheld
3 positives:
- Explored a range of different textures and people’s response to textural (subversive) qualities
- Began to explore amorphous forms that felt ‘just right’ while making and while holding
- Looked good as a whole set/collection
3 negatives:
- The work seems more like a scientific experiment with little aesthetic/artistic merit
- The project is somewhat unfinished in that the results didn’t lead to any specific outcome
- The general quality of the making was questioned by my peers/mentors
Project 2: ‘Tacti-Vessels’; January-April 2017
3 keywords:
- Texture
- Visceral
- Perverted
3 Positives:
- The forms had a function, and therefore some kind of outcome or resolution of the contexts/concepts was tangible
- Making skills were stretched in learning the mold-making process for casting; keen to use this skill again
- Tried to push irrational revulsion of texture further by making forms which reference human (sexual and gastro) anatomy
3 Negatives:
- The pieces were quite cliché and gimmicky
- The pieces were not finished to a high or useable standard (glazing)
- There were fundamental issues with the usability, by the material of choice: ceramic (i.e. small, brittle, breakable parts)
Project 3: ‘Object, Language, Landscape’; May-July 2017
3 keywords:
- Iconic
- Colour
- Meta-Meaning
3 Positives:
- Enjoyed making these pieces – it felt like fun, and ambitious (installation)
- Gut instinct about which objects to make, which objects were ‘iconic’
- Really pleased with the colour, plus the cheekiness of using car paint instead of glaze
3 Negatives:
- The pieces were not finished to a consistent high standard – some where better made than others
- Some objects did not hold enough meaning on their own, and made the viewer question to their inclusion
- The size of the objects or the number of objects needs to increase to maximize presence