23rd November 2017

Why do I make the things I do?  Why am I compelled to make certain ‘ordinary’ objects, and not others?

 

This is a question I have been trying to answer over the last year, and although I feel I have tried to resolve this through my practice, I still feel the answer is fleeting.  I have spent time analysing others work (Skoglund, Kular, Koons, Gormley, Rasmussen, etc.), I still feel that their individual rationale regarding their object choice is fleeting.  I have listed and grouped my own work, I have noted a clear ‘inner voice’ that almost decides what to make, and what not to make, but I can’t answer the ‘why’.

 

I have even gotten to the stage where currently I don’t even see the cactus as a ‘cactus’, and more of an avatar or a placeholder for the eventual form it will become, which demonstrates that the specificity of the object is interchangeable at best, and indeterminate at worst.  The project seems stuck until I can resolve this problem, and I feel very vulnerable to criticism of my work until I can be sure of this answer.

 

In order to understand these questions I have tried to look back into my own personality and interests in the visual and physical, to see if there are any identifiable tropes or themes.  I am curious to see if the are links between my own history and interest with the visual, creative and “play” worlds – from toys, games, stories, films, cultures, objects and things – which might explain my own choices.

 

Another way I could explore my choices may be through deep psychoanalysis, however I am reluctant to make my work seem serious and scientific.  The same inner voice which tells me to make certain objects seems disinterested in taking this route. Perhaps we are talking about artists’ intuition here?  Are there any writings on this, or is it one of those ‘tacit knowledge’ things, where I can only obtain the answer by doing and experiencing it myself? I feel that I have done a lot of contextual research about this and asked this question already and still I don’t find I am any closer to the answer.

 

However, is it 100% necessary to resolve this answer? Even that, I cannot be sure.

Author: cafedelmartin

I am a London-based ceramic artist, maker and educator. My work explores haptics, fun, surprise, and challenging tactile experiences typically associated with the medium of clay. Currently, I am also completing a Masters Degree at University of the Arts, London (MA Designer Maker, UAL Camberwell).

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